The Street to Mbari

The Street to Mbari-Painting Review Essay Art to me is an individuals way of expressing themselves in a very complex or unique way other than writing in simple text. One of my favorite black history pieces of artwork is the painting phone Street To Mamba. This masterpiece was painted by Jacob Lawrence, a profound African American born in Atlantic City, New Jersey in 1917. Lawrence was notorious for his paintings using the tempera method, in which he enjoyed the most out of all of his many crafts and talents. This painting in particular is 56. 5 X 78. CM. T is Of course tempera style based ever graphite on wove paper. This painting is currently located in the National Gallery Of Art in Washington, DC. Tempera is Latin for to mix. It means pigments that are mixed with egg yolk, a binder. Painting styles similar to tempera are: watercolors, and gouache. Tempera is the more famous technique of the three. This painting is very similar to Piers Della Francesca portrait of Federate dad Montenegro. In the sense of both paintings are very rich in colors painted in an unusual color scheme. We will write a custom essay on The Street to Mbari-Painting Review specifically for you for only $16.38 $13.9/page Order now Both paintings are tempera style and portray images of people in their everyday environment. Some of the most obvious of differences would be the types of environments each painter is displaying. In Francesca painting it portrays a middle upper class couple posing for a nice family portrait by the country side, with green fields and flowers. While Larcenys painting is portraying almost the exact opposite. Larcenys painting displays a very busy street in a village in Nigeria with people performing their day to day choirs and conducting business as normal. The pattern scheme in this painting is very nasal and unique, The term that would be best used to describe the pattern scheme of this painting would have to be chaotic. Although the people in the painting do have humanoid features, such as ten fingers and ten toes. The facial and body parts of villagers are very cartoonist giving them an unreal appeal. The roof tops of the huts in the painting are vertical and diagonal all around. The lighting believed the artist used must have been direct due to the shades of the painting are only at the tops Of the painting. And if you look really closely you can see the brush strokes barely on the surface of the painting. In conclusion to Jacob Larcenys masterpiece, the display at the museum greatly influenced my interest toward choosing this painting. With the other select few black artist artworks in the mist, this allowed me to choose the perfect piece from the entire collection. Although Jacob Lawrence died back in the year 2000 of our lord, his piece of the puzzle in history will forever be remembered.